Why September Belongs to Fashion

Why September Belongs to Fashion

How the Big Four Fashion Weeks and the September issue turned a month into an institution

How the Big Four Fashion Weeks and the September issue turned a month into an institution

By

Smruti Thakkar

|

Sep 18, 2025

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Fashion

Naomi Campbell closed the Saint Laurent Spring/Summer 2020 show for Paris Fashion Week 2019

Every industry has its defining season. For fashion, that season is September — a month that has, over decades, come to embody influence, ambition, and authority. It is when designers set the tone for global style, when the glossiest magazines land with weight and grandeur, and when the industry, in many ways, writes its own cultural script for the year ahead.

The Big Four Take the Stage

At the heart of September’s dominance are the “Big Four” Fashion Weeks—New York (September 11-16), London (September 18-22), Milan (September 23-29), and Paris (September 29 - October 7). Held in succession across the month, they form fashion’s most powerful circuit, drawing editors, buyers, celebrities, and cultural observers into a month-long pilgrimage.

The timing is deliberate. September showcases Spring/Summer collections, placing them before buyers in time for production and distribution, while giving magazines and retailers space to build narratives around the trends. From New York’s energy to Milan’s craftsmanship and Paris’s spectacle, September’s runways do more than show clothes—they create the vocabulary of style.


The Power of the September Issue

Parallel to the runway calendar, September has long belonged to the printed page. In magazine publishing, the September issue is an institution—the largest, most ambitious, and commercially vital edition of the year.

The tradition dates back to when the fashion industry aligned its seasonal cycles with retail. September marked the start of autumn, when consumers refreshed wardrobes after summer, and advertisers, in turn, flooded pages to capture their attention. Titles like Vogue, Harper’s Bazaar, and Elle transformed their September issues into cultural events. Vogue’s September 2012 issue famously ran to 916 pages—a symbol not just of fashion’s scale but of its grip on commerce and culture.

Anna Wintour, the legendary editor-in-chief of Vogue, once described September as fashion’s “New Year,” a sentiment that resonates even today. Just as January is about resolutions, September is about reinvention.


Culture, Commerce, and Calendar

September’s supremacy is as much about psychology as it is about scheduling. The month sits at a moment of transition—summer fades, schools reopen, and routines reset. Fashion mirrors this rhythm with new beginnings: fresh collections, new campaigns, and new directions. It is when brands stake claims not only on aesthetics but on cultural relevance.

In recent years, the landscape has evolved. Digital platforms have amplified the reach of September shows beyond front rows to global screens. Copenhagen Fashion Week, with its pioneering sustainability standards, has added another dimension to the calendar, pushing conversations on responsibility and ethics. Yet, despite new players and shifting formats, September remains the anchor—the gravitational pull of the industry.


More Than a Month

What makes September singular is its convergence of forces: the spectacle of runway shows, the authority of magazine issues, the business of retail, and the cultural hunger for what’s next. For fashion insiders, it is a marathon of front rows, late nights, and trendspotting. For audiences worldwide, it is the moment when style feels both aspirational and accessible—when fashion, in its fullest sense, takes center stage.

In the end, September is not just about clothes or magazines. It is about fashion asserting its relevance, year after year, as an industry that doesn’t merely reflect culture but actively shapes it.

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Smruti Thakkar

Smruti Thakkar is a Paris-based luxury retail specialist & writer with over five years immersed in the heart of the French fashion capital. Having worked with iconic maisons such as Balenciaga, Chloé, and Gucci, she brings a refined understanding of craftsmanship, heritage, and the evolving language of luxury. With a deep appreciation for French culture and craftsmanship, she brings an insider’s understanding of the heritage and artistry that define these iconic brands.

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